Publication: Una sonrisa cinematográfica: comparación entre las imágenes de Franco y Getúlio Vargas, en los noticiarios NO-DO y Cinejornal brasilero
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2011
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T&B editores
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Abstract
La presente comunicación tiene por objetivo discutir el uso del cine como medio de propaganda por los gobiernos autoritarios de Francisco Franco y Getúlio Vargas, el último presidente de Brasil entre 1930 y 1945, comparando las imágenes de los dos en los noticiarios NODO y Cine Jornal Brasileiro. Durante sus gobiernos, los dos presidentes criaron una imagen de sí mismo que era exhibida en las películas para el pueblo español y brasileño, con el objetivo de establecer una aproximación entre los dictadores y la población. De esta forma, analizo como las imágenes cinematográficas de Franco y de Vargas ayudaron a construir y a consolidar el mito de Franco como “Caudillo de España” y de Vargas como “Padre de los pobres”. Para ello, he utilizado como referencial teórico la historia comparada.
This communication is intended to discuss the use of film as propaganda by the authoritarian government of Francisco Franco and Getúlio Vargas, the last president of Brazil between 1930 and 1945, comparing the two images in news NODO and Cine Jornal Brasileiro. During their governments, both presidents raised an image of himself that was showed in the films for the Spanish and Brazilian population, with the aim of establishing a rapprochement between the dictators and the population. In this way, I analyze how the cinematographic images of Franco and Vargas helped to construct and to consolidate the myth of Franc like “Caudillo of Spain” and Vargas like “Father of the poor men”. " For that, I have used like referential theoretician compared history.
This communication is intended to discuss the use of film as propaganda by the authoritarian government of Francisco Franco and Getúlio Vargas, the last president of Brazil between 1930 and 1945, comparing the two images in news NODO and Cine Jornal Brasileiro. During their governments, both presidents raised an image of himself that was showed in the films for the Spanish and Brazilian population, with the aim of establishing a rapprochement between the dictators and the population. In this way, I analyze how the cinematographic images of Franco and Vargas helped to construct and to consolidate the myth of Franc like “Caudillo of Spain” and Vargas like “Father of the poor men”. " For that, I have used like referential theoretician compared history.
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Actas del Segundo Congreso Internacional de Historia y Cine organizado por el Instituto de Cultura y Tecnología Miguel de Unamuno y celebrado del 9 al 11 de septiembre de 2010 en la Universidad Carlos III de Madrid
Keywords
Cine, Franco Bahamonde, Francisco (1892-1975), Vargas, Getúlio (1883-1954), Propaganda, Advertisement
Bibliographic citation
La biografía fílmica: actas del Segundo Congreso Internacional de Historia y Cine (2, 2010, Madrid)[cd-rom]. Gloria Camarero (ed.). Madrid: T&B editores, 2011, pp. 910-926