Publication: Muestras del conflicto heterosexual en el cine iraní
Loading...
Identifiers
Publication date
2011
Defense date
Authors
Advisors
Tutors
Journal Title
Journal ISSN
Volume Title
Publisher
icono14.net
Impact
Export
Abstract
Desde las primeras manifestaciones de un cine de corte realista en Irán, en la década de los 60, hasta la actualidad, las escenas de un conflicto heterosexual aparecen periódicamente en los textos fílmicos. Este estudio es un esfuerzo de realizar un análisis sintomático de esta imagen a través de las muestras significativas, las que de alguna manera han jugado un papel importante en la reconstrucción del imaginario colectivo del pueblo iraní en esta encrucijada histórica del contacto con la modernidad. Estas muestras, en gran medida dialogan con su contexto histórico, y a la vez, con un carácter transhistórico formado por las fobias y miedos a la vigilancia y al aparato de control del Padre-Estado. Estas fobias y por tanto este conflicto crean una atmósfera de incomunicación total, que darán lugar a una falta de creatividad y en ocasiones incluso a la esterilidad.
Since the first manifestations of a realist cinema in Iran, in the 1960's, until today, scenes of a heterosexual conflict have regularly appeared in film texts. This study is a symptomatic analysis of this image through a number of significant samples, which have somehow played an important role in the reconstruction of the collective imagination of the Iranian people in this historic turning point of contact with modernity. These cases of study largely dialogue with their historical context and, simultaneously, introduce a transhistorical perspective which is formed by the Father-State’s phobias and fears of supervision and control. These phobias, and therefore this conflict, create an atmosphere of total isolation, which will result in a lack of creativity and sometimes lead to sterility.
Since the first manifestations of a realist cinema in Iran, in the 1960's, until today, scenes of a heterosexual conflict have regularly appeared in film texts. This study is a symptomatic analysis of this image through a number of significant samples, which have somehow played an important role in the reconstruction of the collective imagination of the Iranian people in this historic turning point of contact with modernity. These cases of study largely dialogue with their historical context and, simultaneously, introduce a transhistorical perspective which is formed by the Father-State’s phobias and fears of supervision and control. These phobias, and therefore this conflict, create an atmosphere of total isolation, which will result in a lack of creativity and sometimes lead to sterility.
Description
Keywords
Cine, Irán, Pareja, Conflicto, Heterosexual, Fantasía, Control Ideológico, Matrimonio, Cinema, Iran, Couple, Conflict, Fantasies, Ideological Control, Marriage
Bibliographic citation
Icono14, Vol. 9, N.3 (2011), pp.145-159