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De la vanguardia al realismo: poéticas de pasaje

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URI: https://hdl.handle.net/10016/16729
ISSN: 0214-6606
UXXI: AR/0000012022
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vanguardia_garcia_REHI_2007.pdf (4.77 MB)
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2007-06
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This article examines the context that gave rise to a fruitful dialogue between avant-garde and realist cinemas during the 1930s, especially in documentary films: a new kind of vision was being carved out. New perspectives were bringing to light fascinating formal correlations between abstract art and film images of extreme close-ups or extreme amplifications. At the same time avant-garde filmmakers were facing aesthetic and ethic challenges and found in film the perfect medium for intervening in that reality, knowing that it would play a central role as an instrument of social change.
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Monográfico dedicado a: "De la vanguardia al realismo: poéticas de pasaje" (Coordinadora.: Sonia García López)
Web del editor: http://www.archivosdelafilmoteca.com
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Archivos de la filmoteca, Nº 56, 2007 , págs. 10-15
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DC - CA - Artículos de revistas