Publication: Cine y Geografía: espacio geográfico, paisaje y territorio en las producciones cinematográficas
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2007-05
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Asociación de Geógrafos Españoles
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Abstract
Resumen: El trabajo presenta una aproximación teórica y analítica sobre las relaciones entre cine y espacio geográfico. En primer lugar se señalan las cualidades del cine frente a otros soportes de representación del territorio a la vez que se identifican las diferencias entre el espacio real y el
espacio fílmico. A continuación se muestran las principales aportaciones procedentes de varias subdisciplinas geográficas, identificando los vectores que deben tratarse en la relación cine y espacio geográfico. Un tercer epígrafe, de contenido más analítico, aborda la problemática específica de las localizaciones de los lugares de rodaje, la manera en que el paisaje y la naturaleza
se presentan en pantalla, la utilización del cine como instrumento político-territorial
y las repercusiones económicas derivadas de la actividad cinematográfica.
Summary: This work presents a theoretical and analytical approach to the relationship between cinema and geographic space. First, special cinematographic qualities are differentiated from those of other means of geographic representation, at the same time identifying the differences between real space and film space. Subsequently, the main contributions from various geographic subdisciplines are examined, identifying which paths of study should be followed in the relationship between geography and film. A third, more analytical part of the content looks at the specific problems of film locations, the way landscape and nature are presented on screen, the use of cinema as a political / territorial instrument, and the economic repercussions created by the film industry.
Summary: This work presents a theoretical and analytical approach to the relationship between cinema and geographic space. First, special cinematographic qualities are differentiated from those of other means of geographic representation, at the same time identifying the differences between real space and film space. Subsequently, the main contributions from various geographic subdisciplines are examined, identifying which paths of study should be followed in the relationship between geography and film. A third, more analytical part of the content looks at the specific problems of film locations, the way landscape and nature are presented on screen, the use of cinema as a political / territorial instrument, and the economic repercussions created by the film industry.
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Keywords
Cine, Cinema, Geografía cultural, Cultural geography, Cine y territorio, Cinema and territory, Cine y paisaje, Cinema and landscape
Bibliographic citation
Boletín de la Asociación de Geógrafos Españoles. N. 45 (2007), pp. 157-190