Photography as a writing machine Notes on Christian Dotremont"s logoneiges

Romero González, Aránzazu

Publication:
Photography as a writing machine Notes on Christian Dotremont"s logoneiges

dc.affiliation.area	UC3M. Área de Arte	es
dc.affiliation.dpto	UC3M. Departamento de Humanidades: Historia, Geografía y Arte	es
dc.contributor.author	Romero González, Aránzazu
dc.date.accessioned	2023-12-21T09:34:35Z
dc.date.available	2023-12-21T09:34:35Z
dc.date.issued	2019
dc.description.abstract	In 1963, during a trip across Lapland, Christian Dotremont began to contrive his “logoneiges”, artworks which take “logogrammes” –creations between calligra-phy and verse –to the limit. In this case, the white of the paper is replaced with the infinite whiteness of Lapland’s landscape. Indeed, the “logoneige” would dis-appear if a “second writing” were not added: the photographs themselves. By analyzing the writings of Dotremont alongside those of Roland Barthes and Jacques Derrida, I propose that photography is not only a mere witness in the “logoneiges”, but a writing tool that re-produces the poetic sense. My aim is to dissect this multiple time that creates triple writings, in comparison to “logo-grammes”, in an attempt to prove the poetical reach of thissingular machine.	es
dc.description.abstract	Em 1963, durante uma viagem à Lapónia, Christian Dotremont começou a forjar os seus “logoneiges”, obras de arte que levam os “logogrammes” (criações entre a caligrafía e verso) ao limite. Nesse caso, o branco do papel é substituído pela brancura infinita da paisagem da Lapónia. Com efeito, o “logoneige” desapareceria se uma “segunda escrita” não fosse adicionada: as próprias fotos. Ao analisar os escritos de Dotremont ao lado dos de Roland Barthes e Jaques Derrida, proponho que a fotografia não é apenas uma mera testemunha dos “logoneiges”, mas uma ferramenta de escrita que re-produz o sentido poético. O meu objectivo é dissecaresse tempo múltiplo que cria escritas triplas, em comparação com os “logogrammes”, numa tentativa de provar o alcance poético dessa máquina singular	pt
dc.format.extent	13	es
dc.identifier.bibliographicCitation	MATLIT: Materialities of literature, N.7.1 (2019), pp. 81-93	es
dc.identifier.doi	https://doi.org/10.14195/2182-8830_7-1_5
dc.identifier.issn	2182-8830
dc.identifier.publicationfirstpage	81	es
dc.identifier.publicationissue	7.1	es
dc.identifier.publicationlastpage	93	es
dc.identifier.publicationtitle	MATLIT: Materialities of literature	es
dc.identifier.uri	https://hdl.handle.net/10016/39143
dc.identifier.uxxi	AR/0000033383
dc.language.iso	eng	es
dc.publisher	Universidade de Coimbra	es
dc.rights	Atribución 3.0 España	*
dc.rights.accessRights	open access	es
dc.rights.uri	http://creativecommons.org/licenses/by/3.0/es/	*
dc.subject.eciencia	Literatura	es
dc.subject.other	Christian Dotremont	en
dc.subject.other	Writing	en
dc.subject.other	Logogram	en
dc.subject.other	Experimental Poetry	en
dc.subject.other	Photography	en
dc.subject.other	Logoneige	pt
dc.subject.other	Escrita	pt
dc.subject.other	Logograma	pt
dc.subject.other	Poesia Experimental	pt
dc.subject.other	Fotografia	pt
dc.title	Photography as a writing machine Notes on Christian Dotremont"s logoneiges	en
dc.type.hasVersion	VoR	es
dspace.entity.type	Publication