Publication: La representación femenina en el cine iraní: mujeres cineastas e identidad
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2024-02
Defense date
2024-01-12
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Abstract
En el contexto de esta investigación se analiza la representación de las mujeres en el cine iraní
posterior a la revolución de 1979, centrándose especialmente en las películas dirigidas por
mujeres y su impacto en la búsqueda de la igualdad de género. El principal objetivo de esta
tesis es examinar cómo estas películas, dentro del cine de mujeres en Irán, reflejan las
desigualdades de género presentes en la sociedad, siendo algunas directoras sutiles en su
enfoque y otras desafiando abiertamente las normas patriarcales. Al tener en cuenta estos
objetivos, la metodología consiste en seleccionar una muestra significativa de las películas y
acudir a la revisión de literatura generada a partir del estreno de las mismas, así como analizar
la narrativa de las películas dentro del marco teórico de la tesis. Este marco teórico abarca los
estudios sobre cine de mujeres en Irán y la representación femenina en este cine y su evolución
posterior a la revolución, así como las teorías de la representación. Entre los resultadosse puede
destacar la importancia del cine de mujeres y del cine iraní en general en la representación de
las mujeres en la sociedad iraní, ya que han obtenido reconocimiento a nivel internacional. Su
influencia se extiende más allá de la pantalla, promoviendo la reflexión, la resistencia y el
desarrollo del feminismo iraní en la búsqueda de la igualdad de género en la sociedad.
In the context of this research, the representation of women in Iranian cinema after the 1979 revolution is analyzed, with a particular focus on films directed by women and their impact on the pursuit of gender equality. The main objective of this thesis is to examine how these films, within women's cinema in Iran, reflect the gender inequalities present in society, with some female directors being subtle in their approach and others openly challenging patriarchal norms. In keeping these objectives in mind, the methodology consists of selecting a significant sample of the films and turning to the literature review generated from the films' release, as well as analyzing the narrative of the films within the theoretical framework of the thesis. This theoretical framework encompasses studies on women's cinema in Iran and women's representation in this cinema and its post-revolutionary evolution, as well as theories of representation. Among the results, the importance of women's cinema and Iranian cinema in general in the representation of women in Iranian society can be highlighted, as they have 10 gained recognition at the international level. Their influence extends beyond the screen, promoting reflection, resistance and the development of Iranian feminism in the pursuit of gender equality in society.
In the context of this research, the representation of women in Iranian cinema after the 1979 revolution is analyzed, with a particular focus on films directed by women and their impact on the pursuit of gender equality. The main objective of this thesis is to examine how these films, within women's cinema in Iran, reflect the gender inequalities present in society, with some female directors being subtle in their approach and others openly challenging patriarchal norms. In keeping these objectives in mind, the methodology consists of selecting a significant sample of the films and turning to the literature review generated from the films' release, as well as analyzing the narrative of the films within the theoretical framework of the thesis. This theoretical framework encompasses studies on women's cinema in Iran and women's representation in this cinema and its post-revolutionary evolution, as well as theories of representation. Among the results, the importance of women's cinema and Iranian cinema in general in the representation of women in Iranian society can be highlighted, as they have 10 gained recognition at the international level. Their influence extends beyond the screen, promoting reflection, resistance and the development of Iranian feminism in the pursuit of gender equality in society.
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Keywords
Cine de mujeres, Cine iraní, Feminismo iraní, Igualdad de género, Representación, Women's cinema, Iranian cinema, Iranian feminism, Gender equality, Representation