Publication: Tocar la escritura. Apuntes sobre el cuerpo en obra gráfica de Henri Michaux y el caso de Saisir para una retórica del trazo
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2019
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Universidad Complutense de Madrid
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El problema del cuerpo escritural es una de las entradas clave para acercarse a los grafos del pintor-poeta Henri Michaux y, por ello, en este artículo se propone una mirada inédita desde las nociones de Jean-Luc Nancy y Jacques Derrida que tocan la escritura misma. Así, a través de textos teóricos y obras del artista, se da cuenta de su comienzo alrededor del cuerpo figurado, para pasar a escribir el propio cuerpo en trayectos ideográficos que abstraen el alfabeto occidental y, especialmente, libros de artista en los que se explota el grafo como escritura pre-literal, tomando el término derridiano. En este sentido, se propone una lectura del libro gráfico Saisir como caso paradigmático de la búsqueda del cuerpo escritural, desde la centralidad que ocupa el tacto en su obra.
The problem of the writing’s body is one of the most important entrances to approach to the strokes of the poet-painter Henri Michaux. Thus, the present article proposes an unprecedented reflective look, alongside Jacques Derrida and Jean-Luc Nancy’s ideas that touches the writing itself. Accordingly, we analyze through the theoretical texts and works of the mentioned artist his beginning around the figurative body and how he passes to write the body itself with ideographic routes where the stroke as a preliteral writing (Derrida’s term) is exploited. In this sense, we propose a close reading of the graphic book Saisir as a paradigmatic case of the writing body’s research from the centrality that the touch holds in his work
The problem of the writing’s body is one of the most important entrances to approach to the strokes of the poet-painter Henri Michaux. Thus, the present article proposes an unprecedented reflective look, alongside Jacques Derrida and Jean-Luc Nancy’s ideas that touches the writing itself. Accordingly, we analyze through the theoretical texts and works of the mentioned artist his beginning around the figurative body and how he passes to write the body itself with ideographic routes where the stroke as a preliteral writing (Derrida’s term) is exploited. In this sense, we propose a close reading of the graphic book Saisir as a paradigmatic case of the writing body’s research from the centrality that the touch holds in his work
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Henri Michaux, Escritura, Jacques Derrida, Tacto, Jean-Luc Nancy, Dibujo, Trazo, Writing, Touch, Drawing, Stroke
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Escritura e Imagen Vol. 15 (2019), pp. 9-23