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El Cuarteto en La Mayor "Carlos III" de Conrado del Campo. Un modelo de síntesis entre lo popular y lo culto

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dc.affiliation.areaUC3M. Área de Artees
dc.affiliation.dptoUC3M. Departamento de Humanidades: Historia, Geografía y Artees
dc.contributor.authorFernández-Cortés, Juan Pablo
dc.date.accessioned2010-02-01T20:44:57Z
dc.date.available2010-02-01T20:44:57Z
dc.date.issued2003-12
dc.description.abstractThe search for a language that is appropiate to achieve a coherent integration between popular a highbrow elements was one of the constant features of Spanish nationalist music. This paper presents an analysis of the Auartet in A Major "Carlos III" by Conrado del Campo (1878-1953) as an example or a skifull syntesis between a solid constructive technique and a material that evokes the "castizo" qualities of the 18th century.
dc.description.statusPublicado
dc.format.mimetypeapplication/pdf
dc.identifier.bibliographicCitationRevista de Musicología, XXVI, 1 (2003), pp.265-286
dc.identifier.issn0210-1459
dc.identifier.urihttps://hdl.handle.net/10016/6703
dc.language.isospa
dc.rights.accessRightsopen access
dc.subject.ecienciaArte
dc.subject.ecienciaMusicología
dc.subject.otherNacionalismo, Análisis
dc.titleEl Cuarteto en La Mayor "Carlos III" de Conrado del Campo. Un modelo de síntesis entre lo popular y lo culto
dc.typeresearch article*
dc.type.reviewPeerReviewed
dspace.entity.typePublication
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