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Las misas de Jésús Guridi. Un lenguaje personal en el contexto del Motu proprio

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dc.affiliation.areaUC3M. Área de Artees
dc.affiliation.dptoUC3M. Departamento de Humanidades: Historia, Geografía y Artees
dc.contributor.authorFernández-Cortés, Juan Pablo
dc.contributor.authorRamos Contioso, Sara
dc.date.accessioned2010-02-01T21:15:09Z
dc.date.available2010-02-01T21:15:09Z
dc.date.issued2004
dc.description.abstractDespite Jesus Guridi's liturgical music belonging to the period marked by the precepts of Pope Pius X's Motu Proprio, a large part of his works goes beyond a simple assumption of those precepts and displays original solutions to the problems originated by the guidelines of ecclesiastics regulations. This text explores the main characteristics of the compositional language of Gurid's liturgical music.
dc.description.statusPublicado
dc.format.mimetypeapplication/pdf
dc.identifier.bibliographicCitationRevista de musicología, XXVI,1 (2004), pp. 159-177
dc.identifier.issn0210-1459
dc.identifier.urihttps://hdl.handle.net/10016/6704
dc.language.isospa
dc.rightsAtribución-NoComercial-SinDerivadas 3.0 España
dc.rights.accessRightsopen access
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.subject.ecienciaArte
dc.subject.ecienciaMusicología
dc.subject.otherMusic
dc.subject.otherMotu Propio
dc.subject.otherSpain
dc.titleLas misas de Jésús Guridi. Un lenguaje personal en el contexto del Motu proprio
dc.typeresearch article*
dc.type.reviewPeerReviewed
dspace.entity.typePublication
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