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El Cuarteto en La Mayor "Carlos III" de Conrado del Campo. Un modelo de síntesis entre lo popular y lo culto

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URI: http://hdl.handle.net/10016/6703
ISSN: 0210-1459
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Conrado del Campo.pdf (5.46 MB)
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2003-12
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Abstract
The search for a language that is appropiate to achieve a coherent integration between popular a highbrow elements was one of the constant features of Spanish nationalist music. This paper presents an analysis of the Auartet in A Major "Carlos III" by Conrado del Campo (1878-1953) as an example or a skifull syntesis between a solid constructive technique and a material that evokes the "castizo" qualities of the 18th century.
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Nacionalismo, Análisis
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Revista de Musicología, XXVI, 1 (2003), pp.265-286
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DHLLHE - ART - Artículos de revistas