Publication: Retazos filmados de la biografía de Sandow
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2011
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T&B editores
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Abstract
La “mirada del cine”, utilizando un término de la Profa. Gloria Camarero, no ha analizado con justicia, hasta el momento, la figura de Fredrick Mueller (Kaliningrado, 1867-Londres,1925), uno de los primeros antecedentes de los posteriormente considerados como iconos de la cultura de masas. Artísticamente Mueller adoptará el nombre de Eugen Sandow y presentará en su azarosa vida, personal y profesional, las características definitorias de los massmedia: una biografía singular, ser un número uno en su profesión, crear nuevos conceptos con valencia mundial que han trascendido a su propia época, poseer fama en varios países y continentes (Europa, América del Norte, Australia), generar un abundante material gráfico y fotográfico, incluirse en los principales medios de comunicación de su época (prensa, radio, filmaciones), ser objeto de campañas publicitarias, generar objetos de merchandaising, provocar el interés general y ser estudiado por especialistas.
The "film look" using a term of Prof. Gloria Camarero, justice has not been analyzed so far, the figure of Fredrick Mueller (Kaliningrad ,1867-London, 1925), one of the early history of the later regarded as icons of mass culture. Mueller artistically take the name of Eugen Sandow and present in his eventful life, personally and professionally, the defining characteristics of the mass media: a singular biography, to be a number one in his profession, creating new global valence concepts that have transcended their own time, have known in several countries and continents (Europe, North America, Australia), generating a wealth of graphic and photographic material, included in the mainstream media of his day (newspapers, radio, films), be the subject of advertising campaigns generate merchandising items, provoke interest and be examined by specialists.
The "film look" using a term of Prof. Gloria Camarero, justice has not been analyzed so far, the figure of Fredrick Mueller (Kaliningrad ,1867-London, 1925), one of the early history of the later regarded as icons of mass culture. Mueller artistically take the name of Eugen Sandow and present in his eventful life, personally and professionally, the defining characteristics of the mass media: a singular biography, to be a number one in his profession, creating new global valence concepts that have transcended their own time, have known in several countries and continents (Europe, North America, Australia), generating a wealth of graphic and photographic material, included in the mainstream media of his day (newspapers, radio, films), be the subject of advertising campaigns generate merchandising items, provoke interest and be examined by specialists.
Description
Actas del Segundo Congreso Internacional de Historia y Cine organizado por el Instituto de Cultura y Tecnología Miguel de Unamuno y celebrado del 9 al 11 de septiembre de 2010 en la Universidad Carlos III de Madrid
Keywords
Cine, Biografías, Comedia americana, Leonard, Robert Z., Sandow, Eugene, Culturismo, Falk, Benjamin, Steckel, George, Sarony, Napoleón, Movies, Biopics, American comedy, Bodybuilding
Bibliographic citation
La biografía fílmica: actas del Segundo Congreso Internacional de Historia y Cine (2, 2010, Madrid)[cd-rom]. Gloria Camarero (ed.). Madrid: T&B editores, 2011, pp. 868-885