dc.contributor.author |
Fernández Castrillo, Carolina
|
dc.date.accessioned |
2020-11-12T12:13:36Z |
dc.date.available |
2020-11-12T12:13:36Z |
dc.date.issued |
2016 |
dc.identifier.bibliographicCitation |
Cultura. International Journal of Philosophy of Culture and Axiology. Vol. 13 (2), 2016, pp. 125-136 |
dc.identifier.issn |
1584-1057 |
dc.identifier.uri |
http://hdl.handle.net/10016/31378 |
dc.description.abstract |
Early 20th century Futurist attempts in visual poetry can be related to technology-based poetic creation and current digital experiences. This essay seeks to enhance the understanding of Media Poetry by identifying the existing connections between the “words in freedom” and Eduardo Kac's Holopoetry. This example of interactive and immaterial creation represents a crucial contribution to redefine poetry’s relevance to contemporary global networks and also a milestone to understand the future of virtual and immersive writing spaces. |
dc.format.extent |
11 |
dc.language.iso |
eng |
dc.publisher |
Philosophy Documentation Center |
dc.rights |
© Philosophy Documentation Center |
dc.subject.other |
Futurism |
dc.subject.other |
Holopoem |
dc.subject.other |
Interactivity |
dc.subject.other |
Intermediality |
dc.subject.other |
Media Poetry |
dc.subject.other |
Simultaneity |
dc.subject.other |
Virtual Reality |
dc.subject.other |
Words in Freedom |
dc.title |
Lyric simultaneities: from "Words in Freedom" to Holopoetry |
dc.type |
article |
dc.subject.eciencia |
Ciencias de la Información |
dc.identifier.doi |
https://doi.org/10.3726/b10729_125 |
dc.rights.accessRights |
openAccess |
dc.type.version |
submittedVersion |
dc.identifier.publicationfirstpage |
125 |
dc.identifier.publicationissue |
13 (2) |
dc.identifier.publicationlastpage |
136 |
dc.identifier.publicationtitle |
Cultura. International Journal of Philosophy of Culture and Axiology |
dc.identifier.uxxi |
AR/0000026208 |