Eslabones perdidos del imaginario popular. Aproximaciones al cine de Ladislao Vajda

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Show simple item record De La Fuente, Manuel Díaz Pérez, Susana 2019-09-30T11:03:33Z 2019-09-30T11:03:33Z 2015
dc.identifier.bibliographicCitation L'Atalante, N. 20 (2015), pp. 54-64
dc.description.abstract In 1950s Spanish cinema the work of Ladislao Vajda shows a real stylization proposal by confronting its filmic specificity with its political context. The radical nature of Vadja's movies -from which we have selected examples as paradigmatic as Came de horca and Mi do Jacinto- exceeds their mere adscription to labels such as adventure films or movies with a child. The analysis of Vadja's rigorous mise en scene exposes segments usually opaque in mainstream cinema. Topics such as Andalusian banditry or national bullfighting as well as references to popular culture, i.e. the ballads sung by wandering blind men or the Spanish realism of picaresque novel, permit Vadja to sketch the portrait of Spanish society under Francoism, where lawlessness, deceit and corruption are systemic rather than individual deviations.
dc.format.extent 11
dc.language.iso spa
dc.publisher Asociación Cineforum L'Atalante
dc.rights Atribución 3.0 España
dc.title Eslabones perdidos del imaginario popular. Aproximaciones al cine de Ladislao Vajda
dc.type article
dc.subject.eciencia Ciencias de la Información
dc.rights.accessRights openAccess
dc.type.version publishedVersion
dc.identifier.publicationfirstpage 54
dc.identifier.publicationissue 20
dc.identifier.publicationlastpage 64
dc.identifier.publicationtitle L'Atalante
dc.identifier.uxxi AR/0000017169
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