Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Álex de la Iglesia's Films

Rodríguez Ortega, Vicente

dc.contributor.author	Rodríguez Ortega, Vicente
dc.date.accessioned	2015-09-22T08:01:26Z
dc.date.available	2015-09-22T08:01:26Z
dc.date.issued	2014
dc.identifier.bibliographicCitation	Rodríguez Ortega, Vicente. Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Alex de la Iglesia's Films. En: Wheeler, Duncan, Canet, Fernando (eds.). (Re)viewing Creative Critical and Commercial Practices in Contemporary Spanish Cinema. Bristol : Intellect, 2014, pp. 235-247
dc.identifier.isbn	9781783204069
dc.identifier.uri	http://hdl.handle.net/10016/21583
dc.description.sponsorship	This chapter was written as part of the research project ‘Cinema and Television in PostTransition Spain (1979–1992)’ funded by the Ministry of Economy and Competitiveness and the Spanish Government
dc.format.extent	12
dc.format.mimetype	application/pdf
dc.language.iso	eng
dc.publisher	Intellect Ltd
dc.rights	© Intellect Ltd.
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.title	Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Álex de la Iglesia's Films
dc.type	bookPart
dc.relation.publisherversion	http://www.intellectbooks.co.uk/books/view-Book,id=5126/
dc.rights.accessRights	openAccess
dc.relation.projectID	Gobierno de España. CSO2012-31895
dc.type.version	acceptedVersion
dc.identifier.publicationfirstpage	235
dc.identifier.publicationlastpage	247
dc.identifier.publicationtitle	(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
dc.identifier.uxxi	CO/0000007108