Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Álex de la Iglesia's Films

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dc.contributor.author Rodríguez Ortega, Vicente
dc.date.accessioned 2015-09-22T08:01:26Z
dc.date.available 2015-09-22T08:01:26Z
dc.date.issued 2014
dc.identifier.bibliographicCitation Rodríguez Ortega, Vicente. Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Alex de la Iglesia's Films. En: Wheeler, Duncan, Canet, Fernando (eds.). (Re)viewing Creative Critical and Commercial Practices in Contemporary Spanish Cinema. Bristol : Intellect, 2014, pp. 235-247
dc.identifier.isbn 9781783204069
dc.identifier.uri http://hdl.handle.net/10016/21583
dc.description.sponsorship This chapter was written as part of the research project ‘Cinema and Television in PostTransition Spain (1979–1992)’ funded by the Ministry of Economy and Competitiveness and the Spanish Government
dc.format.extent 12
dc.format.mimetype application/pdf
dc.language.iso eng
dc.publisher Intellect Ltd
dc.rights © Intellect Ltd.
dc.rights.uri http://creativecommons.org/licenses/by-nc-nd/3.0/es/
dc.title Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Álex de la Iglesia's Films
dc.type bookPart
dc.relation.publisherversion http://www.intellectbooks.co.uk/books/view-Book,id=5126/
dc.rights.accessRights openAccess
dc.relation.projectID Gobierno de España. CSO2012-31895
dc.type.version acceptedVersion
dc.identifier.publicationfirstpage 235
dc.identifier.publicationlastpage 247
dc.identifier.publicationtitle (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
dc.identifier.uxxi CO/0000007108
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