Good practices in audiovisual diversity. Hype or hope?

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dc.contributor.author García Leiva, María Trinidad
dc.contributor.author Segovia, Ana I.
dc.date.accessioned 2015-03-18T14:05:06Z
dc.date.available 2015-03-18T14:05:06Z
dc.date.issued 2014
dc.identifier.bibliographicCitation Observatorio (OBS*) Journal, V. 8, N. 4 (2014), pp. 91-103
dc.identifier.issn 1646-5954
dc.identifier.uri http://hdl.handle.net/10016/20289
dc.description.abstract Research conducted on the audiovisual industry within the context of the Convention on the Protection and Promotion of the Diversity of Cultural Expressions (UNESCO, 2005) lends weight to the idea that exclusively applying market logic to the field of culture poses a threat to its diversity. It is therefore necessary to identify and foster practices to implement from the public sphere. The question, then, is how to define such practices. The Convention uses the term 'best practice' within a scenario in which this concept, like 'good practice', has been extensively but only vaguely defined. Taking this as a starting point, the aim of this article is to offer a report based on a critical, bibliographical and archival review of how these notions have evolved. To this end, we re-examine their origin and evolution, contrasting them with other related terms such as 'contextual practice' or 'meaningful experience'. We then analyse how the notions of good/best practice are used in the UNESCO Convention and in a series of studies focusing on communication and culture. In short, these terms are deconstructed to suggest a new critical definition that encompasses the characteristics of what might constitute a good practice in the promotion and/or protection of audiovisual diversity.
dc.description.sponsorship Ministerio de Economía
dc.description.sponsorship This article has been written as part of the research project «Cultural Diversity and Audiovisual: good practices and indicators» (ref. CSO2011-26241), which is part of the National Plan of Scientific Research, Development and Technological Innovation of the Spanish Ministry of Economy and Competitiveness.
dc.format.extent 13
dc.format.mimetype application/pdf
dc.language.iso eng
dc.publisher OberCom
dc.rights Atribución-NoComercial 3.0 España
dc.rights.uri http://creativecommons.org/licenses/by-nc/3.0/es/
dc.subject.other Best practices
dc.subject.other Communication
dc.subject.other Cultural diversity
dc.subject.other Audiovisual industry
dc.subject.other Public policy
dc.subject.other UNESCO
dc.title Good practices in audiovisual diversity. Hype or hope?
dc.type article
dc.relation.publisherversion http://obs.obercom.pt/index.php/obs/article/view/725
dc.subject.eciencia Ciencias de la Información
dc.rights.accessRights openAccess
dc.relation.projectID Gobierno de España. CSO2011-26241
dc.type.version publishedVersion
dc.identifier.publicationfirstpage 91
dc.identifier.publicationissue 4
dc.identifier.publicationlastpage 103
dc.identifier.publicationtitle Observatorio (OBS*)
dc.identifier.publicationvolume 8
dc.identifier.uxxi AR/0000016506
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