Publication: Escenarios arquitectónicos. Entre lo real y la ficción
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2017
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Abstract
La arquitectura ha estado relacionada con el cine desde que comenzó a desarrollarse, ante
todo, porque éste necesitaba edificaciones para que se proyectaran las películas, que en algunos
casos fueron creados por reconocidos arquitectos y en otros se mezcló lo real con lo ficticio.
La arquitectura también ha sido siempre fundamental en la creación de la ficción cinematográfica
y para analizar los espacios cinematográficos, relacionados con los arquitectónicos,
se emplea la Tipología Espacial Constructiva, dividiéndolos según su forma y su función, y
aplicándola a conocidos edificios. Volviendo a lo real, se comprueba cómo las pantallas están
cada vez más presentes en la vida de los seres humanos, logrando una preponderancia de la
imagen en movimiento frente a la arquitectura e incluso una supremacía de la ficción sobre lo
real.
The architecture has been linked to cinema from its beginnings, first of all because it needed buildings in those films were screened, which in some cases were created by renowned architects and other mixed the real and the fictional. Architecture has also always been essential to create the cinematographic fiction, and to analyze film spaces, related to the architectural ones, Building Spatial Typology is used, dividing them according to their form and function, and applying it to well-.known buildings. Coming back to real, it is checked how the screens are increasingly present in the lives of human beings, achieving a preponderance of the moving image over the architecture and even a supremacy of fiction over real.
The architecture has been linked to cinema from its beginnings, first of all because it needed buildings in those films were screened, which in some cases were created by renowned architects and other mixed the real and the fictional. Architecture has also always been essential to create the cinematographic fiction, and to analyze film spaces, related to the architectural ones, Building Spatial Typology is used, dividing them according to their form and function, and applying it to well-.known buildings. Coming back to real, it is checked how the screens are increasingly present in the lives of human beings, achieving a preponderance of the moving image over the architecture and even a supremacy of fiction over real.
Description
Actas del V Congreso Internacional de Historia y Cine celebrado en la Universidad Carlos III de Madrid del 5 al 7 de Septiembre de 2016.
Keywords
Cine, Cine histórico, Arquitectura, Ficción, Realidad, Decorados, Architecture, Fiction, Reality, Settings, Screens
Bibliographic citation
V Congreso Internacional de Historia y Cine: Escenarios del cine histórico (V, 2016, Getafe). Gloria Camarero Gómez, Francesc Sánchez Barba (eds.). Getafe: Universidad Carlos III de Madrid, Instituto de Cultura y Tecnología, 2017