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Archivo Abierto Institucional de la Universidad Carlos III de Madrid >
Revistas editadas por la Universidad >
Semiosfera: Humanidades-Tecnologías >
Semiosfera n.06/07 1996/1997 >
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10016/7941
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| Title: | Fotografía y silencio |
| Author(s): | Ansón, Antonio |
| Publisher: | Universidad Carlos III de Madrid, Instituto de Humanidades y Comunicación "Miguel de Unamuno" |
| Issued date: | 1997 |
| Citation: | Semiosfera : humanidades-tecnologías / Universidad Carlos III de Madrid. Instituto de Humanidades y Comunicación "Miguel de Unamuno". ISSN: 1134-3974. 1996/1997, n. 6/7, pp. 57-72 |
| URI: | http://hdl.handle.net/10016/7941 |
| ISSN: | 1134-3974 |
| Abstract: | In this work we have studied three aspects about photography that have changed the way of perceiving and communicating the reality: photography as a choice, photomontage as a remaded object, and portrait as a trace from a world engulfed by time.
Nous avons développé dans cet article trois aspects concernant la photographie, qui ont changé la façon de percevoir et de communiquer la réalité: la photo comme choix perceptif, le photomontage comme reconstitution, et le portrait en tant qu'empreinte des hommes et des choses. |
| Review: | PeerReviewed |
| Keywords: | Fotografía
Estética |
| Appears in Collections: | Semiosfera n.06/07 1996/1997
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