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Please use this identifier to cite or link to this item:
http://hdl.handle.net/10016/6703
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| Title: | El Cuarteto en La Mayor "Carlos III" de Conrado del Campo. Un modelo de síntesis entre lo popular y lo culto |
| Author(s): | Fernández-Cortés, Juan Pablo |
| Issued date: | Dec-2003 |
| Citation: | Revista de Musicología, XXVI, 1 (2003), pp.265-286 |
| URI: | http://hdl.handle.net/10016/6703 |
| ISSN: | 0210-1459 |
| Abstract: | The search for a language that is appropiate to achieve a coherent integration between popular a highbrow elements was one of the constant features of Spanish nationalist music. This paper presents an analysis of the Auartet in A Major "Carlos III" by Conrado del Campo (1878-1953) as an example or a skifull syntesis between a solid constructive technique and a material that evokes the "castizo" qualities of the 18th century. |
| Review: | PeerReviewed |
| Keywords: | Nacionalismo, Análisis |
| Appears in Collections: | DHLLHE - ART - Artículos de revistas
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