Publication: El cineasta que vino del frío (Vico-Visión)
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2011
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UNED, Instituto de Semiótica Literaria y Teatral
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Abstract
En el año 2004 Aki Kaurismäki rueda Bico, un corto de 5 minutos para una obra colectiva titulada Visions of Europe. En este aparente documental, rodado bajo el signo del Inferno de Strindberg y los ecos de Las Hurdes, la frontera entre el relato y el documento se desdibuja, fragmentos textuales salen de debajo de las piedras y el método Rubens alcanza cierto grado de perfección fílmica.
In 2004 Aki Kaurismäki directed Bico, a short 5 minutes film conceived as a segment of a collective work entitled Visions of Europe. In this documentary film, shoot under the sign of Strindberg’s Inferno and the echoes of Las Hurdes, the line between tale and factual blurs, and we see fragments of stories emerging from under the rocks and Ruben’s method achieves a degree of cinematic perfection.
In 2004 Aki Kaurismäki directed Bico, a short 5 minutes film conceived as a segment of a collective work entitled Visions of Europe. In this documentary film, shoot under the sign of Strindberg’s Inferno and the echoes of Las Hurdes, the line between tale and factual blurs, and we see fragments of stories emerging from under the rocks and Ruben’s method achieves a degree of cinematic perfection.
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Keywords
Kaurismäki, Visiones de Europa, Bico, Cine finlandés, Visions of Europe, Finnish Cinema
Bibliographic citation
Carrera, P. El cineasta que vino del frío (Bico-Visión). Signa : revista de la Asociación Española de Semiótica, n. 20 (2011), pp. 223-236