http://hdl.handle.net/10016/6688 2013-05-24T20:26:11Z 2013-05-24T20:26:11Z Fernández-Cortés, Juan Pablo http://hdl.handle.net/10016/7239 2010-03-10T23:16:39Z 2005-12-31T23:00:00Z

Title: El paisaje sonoro de la Villa de Benavente en una celebración festiva del siglo XVIII Author(s): Fernández-Cortés, Juan Pablo

2005-12-31T23:00:00Z Fernández-Cortés, Juan Pablo http://hdl.handle.net/10016/7200 2010-03-09T23:15:24Z 2005-12-31T23:00:00Z

Title: La música instrumental de José Castel (1737-1807) Author(s): Fernández-Cortés, Juan Pablo

2005-12-31T23:00:00Z Fernández-Cortés, Juan Pablo Ramos Contioso, Sara http://hdl.handle.net/10016/6704 2010-02-13T23:22:50Z 2003-12-31T23:00:00Z

Title: Las misas de Jésús Guridi. Un lenguaje personal en el contexto del Motu proprio Author(s): Fernández-Cortés, Juan Pablo; Ramos Contioso, Sara Abstract: Despite Jesus Guridi's liturgical music belonging to the period marked by the precepts of Pope Pius X's Motu Proprio, a large part of his works goes beyond a simple assumption of those precepts and displays original solutions to the problems originated by the guidelines of ecclesiastics regulations. This text explores the main characteristics of the compositional language of Gurid's liturgical music.

2003-12-31T23:00:00Z Fernández-Cortés, Juan Pablo http://hdl.handle.net/10016/6703 2010-02-13T23:22:48Z 2003-11-30T23:00:00Z

Title: El Cuarteto en La Mayor "Carlos III" de Conrado del Campo. Un modelo de síntesis entre lo popular y lo culto Author(s): Fernández-Cortés, Juan Pablo Abstract: The search for a language that is appropiate to achieve a coherent integration between popular a highbrow elements was one of the constant features of Spanish nationalist music. This paper presents an analysis of the Auartet in A Major "Carlos III" by Conrado del Campo (1878-1953) as an example or a skifull syntesis between a solid constructive technique and a material that evokes the "castizo" qualities of the 18th century.

2003-11-30T23:00:00Z