Publication: El grado cero de la representación televisiva
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1995
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Universidad Carlos III de Madrid, Instituto de Humanidades y Comunicación "Miguel de Unamuno"
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Abstract
Dans les images du Spectacle du Réel Télévisé, le travail de mise en scene tend à disparaitre de sorte que l'on remarque, à chaque fois d'une maniere plus accentuée, l'absence flagrante des opérations les plus élémentaires de la mise en discurs audiovisuelle. Au-delá de la représentation, au-delà de l'odre du signe, on introduit un champ de vision qui n'est autre que celui du photographique radical: la marque photographique pure d'un corps-à-corps. Qu'offre-t-on alors? Littérallement: la pure marque, sauvage, primaire; le réel au premier degré, le spectacle du sinistre. Il parait cohérent de situer le "reality-show" comme un nouveau maillon dans la chaîne des manifestations de cette face obscure de la Modernité qu'est la Posmodernité: on se réfère a ce chemin naturaliste qui s'est ouvert avec le romantisme dans lesquel l'on découvre l'horreur du réel une fois que le sujet doit affronter ce qui est, orphelin de tout ordre symbolique.
In the images of televisión show Spectacle of The Real, the work of mise en scene tends to disappear, making visible the striking absence of the most basic operations of audiovisual discursivization. Beyond representation, beyond tbe order of the sing, a field of vision is introduced which is none other than the radically photographic: the pure photographic trace of a "body-body". What is offered? Literally, the pure trace, wild and primary, the real in first degree, the spectacle of the sinester. It is fitting to locate the "reality-show" as a new link in the chain of manifestations of that dark face of Modemity called Posmodernity: we refer to the naturalistis path opened whit romanticism, in which horror is revealed in the real once the subject is brought face with the orphaned character of the entire symbolic order.
In the images of televisión show Spectacle of The Real, the work of mise en scene tends to disappear, making visible the striking absence of the most basic operations of audiovisual discursivization. Beyond representation, beyond tbe order of the sing, a field of vision is introduced which is none other than the radically photographic: the pure photographic trace of a "body-body". What is offered? Literally, the pure trace, wild and primary, the real in first degree, the spectacle of the sinester. It is fitting to locate the "reality-show" as a new link in the chain of manifestations of that dark face of Modemity called Posmodernity: we refer to the naturalistis path opened whit romanticism, in which horror is revealed in the real once the subject is brought face with the orphaned character of the entire symbolic order.
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Televisión, Análisis del discurso
Bibliographic citation
Semiosfera : humanidades-tecnologías / Universidad Carlos III de Madrid. Instituto de Humanidades y Comunicación "Miguel de Unamuno". ISSN: 1134-3974. Primavera-otoño 1995, n. 3/4, pp. 23-42